It’s hard to say how many stage musicals get adapted to the screen on average each year, but 2014 seems to have produced more than usual. The last year has produced both Jersey Boys and Annie – a pair of pretty terrible movies, regardless of how appreciated or beloved the source material may be. The stage-to-screen transition is a difficult one to pull off where musicals are concerned, but that would never stop a studio from trying. Disney is the latest company to attempt such an undertaking, choosing Rob Marshall (Chicago) to usher Stephen Sondheim and James Lapine’s Into the Woods to the screen.
emily blunt
161 – Edge of Tomorrow (2014)
Tom Cruise. There was a time where starting a written piece with those two words (okay, names) would have guaranteed untold numbers of page views. It still might, but for completely different reasons. Cruise has become a ridiculed totem for his odd religion, often keeping his incredible talent from being recognized. Regardless of his personal life, Cruise is a huge star (otherwise why would we care about his personal life?) – one who has reinvented himself numerous times over the course of his career. His latest vehicle, Edge of Tomorrow, is about just that: necessitated reinvention. It is a very entertaining action film, but it also takes a look at the trajectory Cruise has followed thus far.