Jason Reitman (son of Ivan, but that’s barely relevant) spent the early days of his directorial career making some really well-regarded films. Even if Juno or Up in the Air haven’t received universal acclaim, there is evidence there of a quality filmmaker. All of which makes Reitman’s recent career trajectory so baffling. Reitman’s Labor Day was released at the end of January to pretty middling reviews; I described it as “conventional and entirely disposable,” and my opinion has not changed in the intervening months. It is surprising to see another feature from the director so quickly, but perhaps Reitman learned something from the earlier debacle. Perhaps he’s ready to come back stronger than ever with Men, Women & Children. Perhaps not.