Cerebral science fiction is all the rage these days. Movies like Her and Under the Skin have proven that sci-fi films don’t need huge budgets and set-pieces to be good (apparently having Scarlett Johannson on board doesn’t hurt either). Making a traditionally successful science fiction movie is another matter, however. Transcendence, the first directorial effort from frequent Christopher Nolan cinematographer Wally Pfister, tries to shoot the gap between these two mindsets, and ultimately disappoints on both fronts.