Keanu Reeves was a staple of American cinema through the 80’s, 90’s, and early 2000’s. Seriously, he was everywhere; from The Matrix to Bill & Ted to Point Break to Sweet November, you couldn’t spit without hitting a Reeves flick (though you shouldn’t be spitting all willy-nilly in the first place). His omnipresence is what made it so weird when he practically disappeared after 2009’s poorly received remake of The Day the Earth Stood Still. The former movie star seems to be back with a vengeance though in John Wick, a movie about a retired killer brought back into the life after a series of tragic events.
Guess what? Young adult novel adaptations are not just for attractive teens kicking butt anymore. Now the attractive-teens-dying-for-myriad-reasons genre is getting in on the game as well. Later this year Chloë Grace Moretz will star in If I Stay, as a coma-stricken girl on the verge of death. But first, Shailene Woodley leads The Fault in Our Stars, the latest and greatest cancer narrative. The Fault in Our Stars looks to take the top prize for best cancer movie from its current owner 50/50. 50/50, in turn, took the title from 1998’s Stepmom, which my own mother took me and a friend to see when we were nine years old because it looked like an uproarious comedy in the marketing. Can The Fault in Our Stars live up to this prestigious pedigree?